This article appeared in 'The Arts' section, and Dr. Keeney discusses problems artists have when painting their own hands. BRETT WHITELEY : SCREEN AS THE BATHROOM WINDOW. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. ), 6-7. (age29in1975), Brett Whiteley gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. 9 (verso) in education pack. 6-7, Sydney, 1981, 6, 25 (colour illus.). Self-portrait with reading specs, 1991. Brett Whiteley is photographed by Robert Walker at. Nicolas Brasch, The arts in Australia: Visual arts, 'Brett Whiteley', pg. Sandra McGrath., The Australian, 'A prize collection', Sydney, 27 Oct 1978, (illus.). Get the best deals on Brett Whiteley Art Prints. The immediate effect was a heightening of reality in that everything I looked at took on an intensity That morning returning to school by bus, I remember the poplar trees were bare for winter but it took me years to paint what I saw. 9 Shades of Whiteley is a mini-retrospective exhibition tracing the artist's life and career from his earliest work in 1955, with Self Portrait at Sixteen, to just a few months before his death, with Port Douglas, Far North Queensland 1992.. He believed that many of his ideas came from these experiences, and he often used drugs as a way of bringing the ideas from his subconscious. (1974) The balcony 2 (1975) and Interior with time past (1976 . In 2007 his painting The Olgas for Ernest Giles was sold by Menzies for an Australian record of A$3.5million. He soon settled in Lavender Bay. Reading from left to right, it begins with an exploding sun from a portrait of Yukio Mishima that Whiteley had started but never completed. Whiteley travelled extensively throughout Asia, including India in 1965, and Japan in the last years of his life, experiencing at first hand the sources of his inspiration. 'Appearing in the 'Time Out' section. Why did that particular work gain your attention? Catalogue text. Why does he reference these artists in his self-portraits? Brett WhiteleySelf Portrait In The Studio 1976Music: 4 minute excerpt from The Pipes of Pan at Joujouka (Brian Jones 1968)Track: Your Eyes Are Like A Cup of . This is flanked on one side by a baboon howling with anguish as a ghostly hand delivers it a syringe, and on the other a photograph of the artist looking serenely normal. Sebastian Smee, The Australian, 'Smoking thrills', pg. Works of art from the collection are reproduced as per the, Let me know when this portraits on display. [4] In 1962, Whiteley married Wendy Julius. Archibald Prize: Brett Whiteley - Self Portrait in the Studio; John Moores Painting Prize - John Walker for "Juggernaut with plume - for P Neruda" Exhibitions. The National Portrait Gallery is an Australian Government Agency, gelatin silver photograph on paper (, The National Portrait Gallery respects the artistic and intellectual property rights of others. unknown author., The Courier Mail, 'He won Archibald and Sulman in top art coup', Bowen Hills, 22 Jan 1977, (illus.). 272-275, Port Melbourne, 2010, 3 (colour illus. Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century Art', pg. Appearing in the 'Salesroom' section of the Australian Financial Review, with regards to the sale of `The Balcony 2', acquired by AGNSW. By vintage wall art. Kandinsky had a complex, theoretical understanding of the term, involving the artists personality, the context of their times, and the harmonious nature of a composition. Jill Sykes, Look, 'Members events', pg. Self portrait in the studio, 1976 Brett Whiteley Oil, collage, hair on canvas 773 x 600 cm, AGNSW Brett Whiteley's Self Portrait in the Studio was an expressionism painting which stretched the definitions of portraiture. card no. Self Portrait with Real Hair, 1977, ink and hair on paper, 76.0 x 51.0 cm, whereabouts unknown. The famed author Mishima had committed seppuku in 1970 and the literary mythology that arose of his apparent final vision of enlightenment in the form of the exploding sun, as he pressed the knife into his body, inspired and became the basis for this work. 61-85, Sydney, 2005, 76 (colour illus. Its not the dark, edgy image of a celebrity, but the portrait of an artist. Barry Pearce and Alec George, 9 Shades of Whiteley, '4: Lavender Bay', pg. 15-41, London, 1995, 35, 165 (colour illus. Donated through. His last studio and home at 2 Raper Street, Surry Hills in Sydney is now a museum managed by the Art Gallery of NSW. He started drawing at a very early age. He also spent time in the USA staying at New Yorks Chelsea Hotel, where he associated with counter-culture celebrities such as musicians Janis Joplin and Bob Dylan and in Fiji. As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." 71-89, Sydney, 1984, 73 (colour illus). Whiteleys biographer, Ashleigh Wilson, describes the work as a confronting depiction of the panic and desperation of drug addiction. His last studio and home in Sydneys Surry Hills is now a museum managed by the Art Gallery of New South Wales. His poems have appeared in various anthologies, including those of the Newcastle Poets at the Pub; on various websites including the Black Dog Institute and the ABC; and on the walls of the New England Regional Art Museum with a Brett Whiteley self-portrait (2014) and the SCG Museum with Doug Walters Test cap (2014). His reference to art history, including an image of the famous 1943 William Dobell portrait of Joshua Smith, won a court case against accusations that it was a caricature, not a portrait. He sometimes took more than his body could handle, and had to be admitted to hospital for alcohol poisoning twice. Back in Sydney at the end of 1969, Whiteley moved to Lavender Bay and became involved in the Yellow House artists collective in Kings Cross. She's this decade's Miss Popularity among major cities, the prom queen of the southern hemisphere. SELF-PORTRAIT, 1977 Brett Whiteley AO (1939 - 1992) Born 7 April 1939 Sydney, New South Wales Died 15 June 1992 (aged 53) Thirroul, New South Wales Education Julian Ashton Art School Known for Visual arts Movement Avant-garde Awards: Biennale de Paris - International Prize for Young Artists 1962 Archibald Prize 1976 Self Portrait in the Studio, 1978 Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, In front of 'Art, life and the other thing', 1978, Brett Whiteley, 'Self portrait after three bottles of wine', 1971, Art Gallery of New South Wales. Inspired principally by Matisse, but also by his house at Lavender Bay on Sydney Harbour's north shore, he created a series of large scale paintings of expansive interiors and views evoking the marine beauty of the harbour. BRETT WHITELEY (1939 - 1992) GARDEN, 1975 brush and sepia ink on paper 84.5 x 75.0 cm stamped lower. Balmoral Brett Whiteley 1978. The work is an anthology of Whiteley motifs, including the view of Sydney Harbour from a window, a reclining nude, an armchair, and a piece of blue-and-white . Brett Whiteley 1975 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art - fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. Shop unique custom made Canvas Prints, Framed Prints, Posters, Tapestries, and more. Philip McIntosh. Nancy Borlase., The Sydney Morning Herald, 'Whiteley's year', Sydney, 27 Jan 1977, (illus.). The sculpture depicted on the right and others in the . Barbara Konkolowicz, A different vision, Sydney, 1998. BRETT WHITELEY (1939 - 1992) SELF PORTRAIT, 1977 oil and hair on canvas 30.5 x 25.5 cm signed lower. A day at Bondi Brett Whiteley . Typically, the viewer is led deeper into the picture by means of minute detail. This appeared in the `Arts' section of `The Australian Supplement'. Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. Brett Whitely (Australian 1939-1992) Bio. [4], In June 1991, Whiteley was appointed an Officer of the Order of Australia. This work is such a significant piece it was an essential inclusion for the curator of this exhibition. 63-87, Sydney, 1999, 77 (colour illus. Last modified on Wed 19 Oct 2022 10.16EDT, Original reporting and incisive analysis, direct from the Guardian every Ashleigh Wilson, author of Whiteley's biography, is a consultant on the work. . Free entry, Find out what you need to know before visiting, Archibald, Wynne & Sulman Prizes for 1976, A Different Vision - Brett Whiteley Sculptures (1998), Australian icons: twenty artists from the collection, To look within: Self portraits in Australia. Part of his work Alchemy (197273)[9] was featured on the cover of the Dire Straits live album Alchemy although it had the addition of a guitar with lips held by a hand. This appeared in the `Arts' section of `The Australian Supplement'. Free delivery and returns on eBay Plus items for Plus members. plate no. During this time, Whiteley also painted works based on the animals at the London Zoo, such as Two Indonesian giraffes, which he found sometimes difficult. David Christian, 'At Lintas advertising agency, Sydney', c1956. Brett said he had wanted it to scare himself straight. [1]. Whiteley appears as a character in the book Falling Towards England by Clive James under the name Dibbs Buckley. Scholarly publications with full text pdf download. In the latter painting, the table in the front of the room close to the viewer has minutely decorated vases and small objects, while a drawing on the left and a sculpture to the extreme right show how Whiteley often used erotic images in his works. The scholarship enabled Whiteley to travel to Europe and experience first-hand much of the art he had only seen in reproduction. Choose one of Whiteleys self-portraits. How would the space be divided and what objects of inspiration would be around you? . Jennifer Phipps, Members Magazine of the National Gallery Society of Victoria, 'Brett Whiteley Self Portrait and Other Intimacies', pg. This article appeared in the `Art' section of the newspaper. The balcony 2 Brett Whiteley 1975 116.1981. This article appeared in the 'Arts Australian' section of 'The Australian' newspaper. 86. Clem Lloyd and Peter Sekuless, Australia's national collections, Sydney, 1980, 261 (colour illus.). Brett Whiteley, AO was an Australian artist. On 23 November 2017 the book was named the people's choice winner at the Mark and Evette Moran NIB Literary Award. Signed and dated l.r., black ink "brett whiteley/ 1975-76/ ". Michael Bowden, Art-isan: studio arts for VCE units 1-4, 'Analysis of an unseen artwork', pg. 213-236, Sydney, Summer 1982, 235 (colour illus.). The artists face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger landscape. Brett Whiteleys 'Self portrait in the studio exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. Further information can be found at http://www.artgallery.nsw.gov.au/brett-whiteley-studio/, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Bonython Art Gallery [Sydney], Paddington, 24Oct197515Nov1975, Three years on: acquisitions 1978-81, Art Gallery of New South Wales, Sydney, 15Oct198101Dec1981, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Orange Regional Gallery, Orange, 19Apr198615Jun1986, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16Sep199519Nov1995, Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of the Northern Territory, Darwin, 13Dec199528Jan1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of Western Australia, Perth, 22Feb199608Apr1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of South Australia, Adelaide, 09May199616Jun1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 02Jul199626Aug1996, Brett Whiteley Art & Life (1995-1996), Tasmanian Museum and Art Gallery, Hobart, 18Sep199617Nov1996, Big Blue - the painted harbour (1997), Art Gallery of New South Wales, Sydney, 21Jun199729Mar1998, Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04Aug200003Dec2000, Affinities: Brett Whiteley & Lloyd Rees (2001), The Brett Whiteley Studio, Surry Hills, 10Feb200108Jul2001, Whiteley & Rees: more affinities (2006), The Brett Whiteley Studio, Surry Hills, 03Dec200510Apr2006, Whiteley & Rees: more affinities (2006), New England Regional Art Museum, Armidale, 29Apr200602Jul2006, 9 shades of Whiteley, Gold Coast City Art Gallery, Surfers Paradise, 12Jul200807Sep2008, 9 shades of Whiteley, Lismore Regional Gallery, Lismore, 13Sep200815Nov2008, 9 shades of Whiteley, New England Regional Art Museum, Armidale, 22Nov200808Feb2009, 9 shades of Whiteley, Newcastle Art Gallery, Newcastle, 14Feb200926Apr2009, 9 shades of Whiteley, Bathurst Regional Art Gallery, Bathurst, 01May200914Jun2009, 9 shades of Whiteley, Mornington Peninsula Regional Gallery, Mornington, 02Jul200923Aug2009, Iconic Whiteley (2009-2010), The Brett Whiteley Studio, Surry Hills, 12Sep200922Aug2010, Brett Whiteley - Connections (2010-2011), TarraWarra Museum of Art, Healesville, 06Nov201019Mar2011, Blue (2011), The Brett Whiteley Studio, Surry Hills, 09Jul201108Jul2012, Destination Sydney, Manly Art Gallery and Museum, Manly, 05Dec201514Feb2016, Brett Whiteley: Lavender Bay, The Brett Whiteley Studio, Surry Hills, 25Oct201915Mar2020, Brett Whiteley: Blue and White, The Brett Whiteley Studio, Surry Hills, 30Apr202227Nov2022, Barry Pearce et al., Brett Whiteley education pack, 'Return to Sydney and Lavender Bay', Sydney, 1995, (colour illus.).
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