2005-2023 acousticmusic.org. Gibson style one piece flange, probably zinc, also Gibson style flange brackets, 4 resonator screws. Back & Sides: Mahogany but some released as Brazilian rosewood. set of identifying characteristics can be found at Number on headstock, Open Back, Pink OHC liner, Klusons with white plastic buttons, bound f/b: I/N Auction 8/2007 : 1962 : 88909: RB-180 . Dreamstime is the world`s largest stock photography community. It was Gibsons most prestigious solid body (and therefore expensive, with a couple of exceptions). Take a closer look at the serial number found on the back of the headstock and reference the guide below. How did you come to own it? Many banjo manufacturers, in addition to making banjos under their own names, Factory Order Numbers (FON) in the 2600s to 2700s. Martin introduced their versions of acoustic-electrics: the D-18E in 1958 and D-28E in 1959. 1968: Changed to a bottom belly bridge and 1960 style pickguard, 1969: Changed to a square shoulder dreadnaught, Original version: solid mahogany back but laminated mahogany sides, 1 piece mahogany neck & 17 degree headstock angle, Bound Brazilian fretboard with trapezoid inlayed markers, Individual Kluson tuners with white buttons later: keystone Pearloid buttons, P-90 single coil pickup with adjustable pole pieces. Hand Engraving. It is, therefore, not unusual to find older mandolins with replacement bridges. Never seen one with an inlay on the back of the neck. Free or royalty-free photos and images. This makes up for the shallow break angle, and also does away with string trees, which are not needed in this case. I have an open back banjo with a number 44 stamped in the ring, and May 2, 1899 carved in the support on the backside. department to department had 40 cubbyholes. Since that day in 1989, Deering has breathed new life into the Vega name, blending over a century of tradition with Deering's banjo building expertise, to create a range of heritage rich open back and longneck banjos that are as integral to the modern folk . Identification. This is a high-quality instrument. Also, the first batch of J-45s had more binding both on the body and soundhole. B-series Factory location: Grand Street, New York City from 1972 to 1973. ARCHIVED TOPIC: Vintage Kay Company Banjo - Need Help Identifying Model, Please note this is an archived topic, so it is locked and unable to be replied to. All Rights Reserved. Augustino LoPrinzi has developed a fine reputation for classical guitars, ukuleles, steel string and 12-string guitars. The new design was thinner and much easier to handle and play. 1970 onward: 1 piece maple. Nice playability, great tone, strong low end and good sustain all the way up the neck. George Youngblood of Youngbloods Music Workshop. A-series Factory location: New York City from start to 1971. Cherry Sunburst is still available. Notable endorsers of this model include Leon Redbone. Late 1930s through 1942: ? adjustment wheels 2 feet and extensions on top of the base for the wheels. The only available finish was sunburst until 1954. banjo headstock identificationleap year program in python using for loop. A New Leaf from Steven Moore. The neck was a broad round profile single piece mahogany with a bound coffewood fretboard and dot markers. Though there appear to be exceptions, necks between 1912 and 1923 are 3-piece mahogany. The name variations included Bacon and Day and B&D for all the instruments co-developed by Fred Bacon and David Day. Then Gibson developed the adjustable bridge. Headstocks say LoPrinzi. The 1975 price was $1,999. The following are a rough guide. By 1939 the 3 tone bar system was reduced to 2 tone bars and the angle of the X braces change to approximately 95 degrees. 30, 1909. In 1947 the name changed to the J-200 and the standard back and sides became highly figured maple. Known Problems with Gretschs Serial Number System: Due to the various renumbering schemes, there are Gretsch-built Bacons and B&Ds with 3 digit, 4 digit and 5 digit serial numbers, which confuses identification of instruments made between 1910 and 1940. Acoustic guitars are punched inside the soundhole on a sticker behind the strings. It was the heart of the depression and the instruments cost $60 without a case. The electric version included a P-90 pickup at the end of the soundboard like the later versions of the J-160E. Yuletide. Maybell was a Slingerland brand name. Body designations and style designations of Martin guitars are letter-number combinations separated by a hyphen. Banjos with pegheads like that shown in the first picture below are usually made by Buckbee. 1921 early: 3/8 adjustment wheels, short base and aluminum compensated bridge top. A simpler variation on the SJ-200 with fewer appointments and a lower price tag was the SJ-100. Please note this is an archived topic, so it is locked and unable to be replied to. Though it was discontinued in 1942, the last Advanced Jumbo left the Kalamazoo plant in 1940. The 2nd delivery to Ray Whitley was the more refined 14 fret SJ that is so well photo-dicumented. The original V shape of the necks of the J-35s was replaced by distinctly round necks (baseball bats) and a tear drop pickguard. A Style mandolins were symmetrical and shaped like a teardrop. Thanks for any assistance you can provide. Factory Order Numbers (FON) include the 2100s to 2500s, The adjustable truss rod reappeared in 1944, Tuners cogs got slightly thicker and with beveled edges. That way I'll be sure to hear it, since I will get a heads up when you post. Mid 1921 through late 1930s: larger base with 2 feet, 3/8 adjustment wheels and wooden compensated bridge top. See more ideas about banjo, guitar inlay, ukulele. They didnt sell well but did live up to their design intent of a heavier, booming tone with good overall balance. . See more ideas about banjo, guitar inlay, mandolin. The fretboard was bound but without extension and The Gibson was stamped into the tailpiece cover. banjos, not surprising since they bought out the Buckbee factory in 1898. Example of custom shape is well represented below with the "Tennessee Banjo". of their later banjos had elite tailpieces, Orpheum-like hardware, and long, I am the third owner, the previous owner researched it and, based on the serial number, headstock design and inlays declares it to be a 1976 Gibson RB 250 MASTERTONE model with the 20 hole metal tone ring. serial number 8382, New York, circa 1920s, intricate abalone shell inlay to fingerboard and headstock which also bears the Company logo. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. It had binding on front, back, soundhole and the fretboard; The Gibson inlaid into the headstock and a better grade of spruce top. Gold script Gibson logo, Pickguard: Tiger-striped & teardrop shape, Finish: brown sunburst top finish, dark brown mahogany back and sides and neck, Body Binding: 7-ply top binding and single ply back binding, Tuners: Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic button usually white but sometimes black), Tortoise-shell teardrop pickguard replaced the tiger stripe material, Single bound top and back, multi-bound rosette, Mahogany neck but a few Maple necks with a single walnut stripe down the center (3 piece neck), Three layer w/b/w tops and single layer back binding, Mahogany neck block with beveled sides, changed to a mahogany neck block with square sides, Tuners were 3-on-a-plate Klusons with exposed gears and Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic buttons (usually white but sometimes black) and 1/4 diameter posts. Script Gibson logo, Fretboard: Twin parallelograms inlays unbound 19 fret. It was a refinement of the slope-shoulder design of the original Jumbo but slightly deeper: 4 13/16. The Southerner Jumbo (later shortened to: Southern Jumbo and then SJ) was a fancier J-45. The headstock shape is very similar and it has the hexnut . In late 1 the use of factory order numbers was discontinued. What's the history on the this jo, are you the original owner? See the notes below. Width at nut 1 11/16, scale 24 3/4. I like it. The last 4 digits are a neck number. Larger top braces used, and bigger solid wood bridge plate and larger bottom-belly bridge. CUSTOMER SERVICE. Late 1940's "i" touches the "G" on "Modern" non cursive/script Gibson Logo. and What's it sound like? The best way to date Larrive instruments is by the instrument labels. 2 foot pressed arm rest and flat head tone ring. F/FF = Factory code (No factory designator for some 1993 and earlier models) Y/YY = Year of manufacture (Single digit for some 1997 and earlier models) MM = Month of manufacture. which do not feature a paper label. They were the J-45 and the Southerner Jumbo. Naming the parts of a banjo. Have a vintage Harmony guitar? Go back. Vega continued to mark their banjos "A.C. Fairbanks" until the middle teens. The Jumbos had a slight V shaped neck with the Gibson truss rod and a pointed French heal somewhat unusual for Gibson. Use them in commercial designs under lifetime, perpetual & worldwide rights. Information gleamed from the Mandolin Cafs website over the years. For more detailed information, get the following book: The Larsons Creations Guitars & Mandolins by Robert Carl Hartman. Over time the J-35 braces began to appear scalloped. Saga. It shared many features with the L-5 archtop electric acoustic: The neck was basically an L-5 neck in scale, section and detail. Post war logo, 1947/8 to '60s found on various guitar like Melody Maker, Les Paul Jr, Special, Lg0, Lg2, Sg Jr, Special, ecc, ecc.Note the dot link to G. '70 Gold logo - Decal instead silkscreening. $ 5,719.00 $ 5,149.00. Brown or black finish, some binding only on the top and in the soundhole with one ring around the soundhole. The Gibson CF-100 was introduced in 1950 (the CF-100E was introduced 1951) and discontinued in 1960. New Location: . There was a line of black inlay (or ebony layer) along the centerline of the back of the neck. It marked the beginning of a new era for Gibson. They were well suited for orchestral arrangements as well as individual play and accompaniment. Labels say: A. Terms of Use | Privacy Policy | Copyright 2023 Banjo Hangout. The tuners cogs are peened on the shafts (the peening sometihas a waffle design). S3R, Size 3 guitar with East Indian rosewood back & sides, chrome tuners. They did provide paper labels for the instrument that they represented but did not provide labels for custom instruments or other shops or manufacturers. It had chrome plated standard friction pegs, rosewood finished neck and headstock with matchin resonator. 156137I know this is a mandolin forum, but the admins suggested I start here. On 12 fret to the body guitars, in a break with tradition, the Larson brothers frequently inlayed the 10th fret instead of the ninth. They were available in steel string or classical. I wouldn't be surprised if a few exist with other brand names. USA produced Epiphones of this era bear standard Gibson serialization and include the "Made in USA" stamp on the back of the headstock. Starting in 1923, models included: the Silver Bell, the Super Banjo and the Blue Bell. feature both a serial number and a FON. 1974 $895 This was the best sales year for the L-5S shipping 555 instruments. The original price in 1942 was $45. There are no manufacture's labels or stamps on it. Sometimes (rarely) the labels are easy to read: the model and serial numbers hand-printed in ink and sometimes the information was written in pencil and is now barely legible. The back and sides were still mahogany but the Southerner Jumbo had a dark wooden stripe separating the 2 back pieces.
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